PRESS RELEASE
ANTWERP SCULPTURE SHOW Open
Air
11 – 14 September 2008
Gedempte Zuiderdokken
(Square between Vlaamsekaai and Waalsekaai)
Exhibition Design by Luc Deleu
& T.O.P office
Initiave
by Antwerp Art Galleries, Middelheim Museum & Muhka
Dagmar
De Pooter Gallery Antwerp, presents Ellen Augustynen
‘Schildersverdriet’
Ellen
Augustynen works with video, photography and installations, always in the
form of ready-mades, drawn from reality.
The starting point of
Ellen Augustynen’s work is rather nihilistic, the result being that she
doesn’t find satisfaction in form, technique or content. Several matters are
at issue here: one’s own insignificance, the absurd, repugnance to an
artistic consensus and a political correctness, and, at the same time, one’s
self-awareness. Everything
becomes trivial in this view, becomes ridiculous and at the same time
vivacious. With insolent statements exploring the limits of the presentable,
she confronts herself and the public with the duality of banality and
meaning, playing the artist.
’Schildersverdriet’
Invitation for a speech
An
installation on the cobble-stones at the south docks, with still more
cobble-stones set in two piles, upon which are steps and a ladder.
With
many thanks to Geert Verbeke, (Verbeke Foundation Kemzeke, Stekene)


The
annual Whitsun fair, tennis championships, Cirque du Soleil, parked cars,
the musical 0110 event in protest at the political climate in Antwerp, which
is shifting to the right, ice sculptures, an exclusive trade fair of luxury
articles and even more numerous circuses of other origins: the filled-in
southern docks between the Vlaamsekaai and the Waalsekaai have in the past
played host to a wide variety of events. But only on one occasion has the
square been used for contemporary art, in the summer of 2002 when Villanella
and MuHKA installed the ‘drive-in wheel’, a huge Ferris wheel for cars
designed by the Dutch artist John Körmeling.
The South, with the filled-in southern docks at its heart, has though been
surrounded by the visual arts for many years now: historical works in the
Royal Museum of Fine Art, contemporary art in the galleries and the MuHKA
and FotoMuseum. And yet it was not until 2008 that an idea that had been in
circulation for a long time – literally and figuratively filling the
square with contemporary art – could be put into action. This was an idea
which, with hindsight, turned out to be so obvious that several actors had
had it in mind for several years.
In the end it was the galleries that took the actual initiative and put
together a proposal for a sculpture exhibition. It seemed to them that, as a
form of artistic expression, sculpture had for too long been treated harshly
by the institutions; it was high time attention was paid exclusively to this
medium. They went in search of partners ‘in crime’. They found them in
the first place in the
Middelheim
Museum
,
which concentrates on sculpture in the open air, and is also a municipal
museum, which meant that
Antwerp
city council could make use of the expertise regarding art in the public
space that it had built up over the years. This in its turn meant that the
agreement it already had with the MuHKA could be brought forward a year, and
the decision was taken with the MuHKA to embed this show in a broader event,
the art festival ‘t Zuid Antwerp Art Weekend’, which had previously been
held twice in the autumn. The intention with the Antwerp Sculpture Show is
quite simple and without great pretension, but this does not make it any
less ambitious: every gallery and every non-profit contemporary art venue
was invited to choose an artist to produce a new work or select an existing
one for the exhibition. The MuHKA and the
Middelheim
Museum
provide the facilities to make it possible. 19 galleries and non-profit art
venues took up the invitation and, with the two museums, 21 works of art
have been chosen.
Luc Deleu and his TOP design firm have been entrusted with the task of
giving shape to the event: the Waalsekaai and the Vlaamsekaai will be linked
by a blue carpet that cuts across the square: on one side of the carpet will
be the exhibition infrastructure, two office containers one on top of the
other and a tent for the opening, and on the other side the works of art. A
daring arrangement based on an open view of sculpture and the city.
The fact that the exhibition will only last four days, and is therefore
quite transient, has not prevented the artists from displaying great
commitment. The international appeal and the dedication of the various
partners involved also give the event a potential future.
An extensively documented publication on the Antwerp Sculpture Show will be
published afterwards.